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Ben Kicic 2025

Sedia

Solid oak table composed by 3 pieces jointed together.
The chair follows the same principles as the table. The seat curves along the top and the bottom. The back does too, curving and widening at its center. There is a subtle inward curve as well, allowing a pitch back. You sit, and it feels right. You look, and it all makes sense.

SediaSedia
Lead Time
12 weeks
Year
2025
Materials
Oak
Contact for purchase
Care and maintenance

This piece of furniture is made for inside usage. Wipe off the dust gently with a cotton cloth. Always use a soft cotton cloth to clean the wood and avoid using normal household detergents. Avoid placing it next to a source of heat or in direct sunlight, as it might discolor or damage the wood overtime. Wood is porous, so it easily absorbs liquids. For this reason, quickly clean up any spills on its surface with paper towels or a dry cloth.

To keep the beauty of the wooden surface over time, polish it with natural oil every 1-2 years, if needed.

Side

W55 × H71 cm
Seat height: 46 cm

Side

D50 × H71 cm
Seat height: 46 cm

Side
Side

Ben Kicic is a New York-based designer with a strong passion for research and innovation. His work revolves around the belief that design is an activity focused on simplicity, attention to detail, liveability and practicality: for this reason, he creates furniture and furnishings that establish a dialogue between functionality, art, culture and the history of materials.

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

At first glance, Tavolo and Sedia appear as exercises of clarity – pure, steady forms built on repetition and balance. Their construction is direct: Tavolo, composed of three interlocking oak elements, and Sedia, assembled through joinery, rely on structure and simplicity rather than excess. There is no ornament, only the quiet logic of their curves. And yet, embedded in their simplicity is an underlying fragility—not of material failure, but because of the push and pull between useful objects and deeper narrative within them.

Tavolo and Sedia engage in the act of recomposition and memory. Their construction is an assembly of fragments, wood carefully selected from different boards, different whole trees cut, milled, kiln dried, cut, and joined with precision.

Text by Ben Kicic

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

The method of joinery speaks to tradition, a technique that recalls years of training and craftsmanship – while the design itself is contemporary, rooted in the now. These pieces do not break in the literal sense, but in their evolution they are fragile, because they hold so much. They carry with them the history of the material, from a sapling in the forest to the hands that shaped them, and the spaces they will inhabit. They are not just objects; they are the sum of gestures, of growth and assembly, of time unfolding across their surfaces.

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

Veragouth and Xilema, Bedano, Switzerland 2024
Photo: Nicolas Polli

© Hand in Glove, 2025.
A project by Veragouth and Xilema with Unstated